Executive Summary

The street dance form of Krump, originating from the urban landscapes of South Los Angeles, has profoundly embedded itself within the cultural fabric of Aotearoa New Zealand. This report chronicles Krump's dynamic journey, from its initial introduction through media dissemination in the mid-2000s to its current status as a community-driven art form. It highlights how Krump has been uniquely adapted within New Zealand's Pacific cultures, evolving into a powerful medium for self-expression, community building, and personal empowerment. The narrative traces the pivotal sessions, workshops, and battles that have defined the nation's Krump scene, underscoring the significant contributions of key individuals and "fams" (families/crews) who have shaped its legacy. Despite facing challenges related to public perception and funding, the New Zealand Krump community continues to demonstrate remarkable resilience and a collaborative spirit, particularly through its strong Pasifika and Māori contingent, leveraging the dance as a holistic tool for youth development and cultural affirmation.

Introduction: The Global and Aotearoa Context of Krump

Krump, an acronym for "Kingdom Radically Uplifted Mighty Praise," emerged in the early 2000s from the challenging socio-economic environments of South Central Los Angeles. Developed by Ceasare ‘Tight Eyez’ Willis and Jo’Artis ‘Big Mijo’ Ratti, this intensely physical and emotionally expressive dance form provided a non-violent outlet for raw emotions.¹ Its global spread was significantly propelled by David LaChapelle's seminal documentary

Rize (2005).¹ The film showcased Krump's raw energy and its role as a positive alternative to gang life, thereby introducing the style to international audiences.¹ A deep dive into the historical tapestry of New Zealand street dance, specifically the energetic and expressive art form of Krump, reveals a vibrant and evolving community rooted in self-expression and cultural connection. From its origins in the urban neighbourhoods of California in the 1990s as a powerful means of escapism and self-expression, characterised by exaggerated, free, and highly energetic movements, Krump found fertile ground in Aotearoa. The very essence of Krump, encapsulated by its acronym, "Kingdom Radically Uplifted Mighty Praise," connects its dynamic physicality to a spiritual, almost biblical, intent, drawing parallels to King David's dance of might.¹

In New Zealand, Krump found fertile ground, particularly within its vibrant Pacific cultures.³ The dance form's inherent qualities of raw, hard-hitting, and often erratic movements resonated deeply, offering an emotional release and a vessel for storytelling that aligned with existing cultural expressions.³ This report explores how a dance form born from specific socio-economic conditions in the United States underwent a unique adaptation and integration within the distinct cultural landscape of Aotearoa, becoming more than just a dance style but a significant component of community identity and youth development.

The Genesis: Seeds Sown in Aotearoa (Circa 2005 – 2009)

The initial introduction and popularization of Krump in New Zealand were primarily driven by media exposure and the burgeoning digital landscape. David LaChapelle's documentary Rize (2005) served as a pivotal catalyst, directly influencing and mobilizing dancers across Aotearoa.³ Screenings of the film in New Zealand, including at the Auckland International Film Festival, along with the circulation of Krump DVDs such as

Breakin' vs Krumpin' (2005) and the rise of early social media platforms like YouTube, Myspace, and Bebo, were instrumental in introducing and popularizing the dance form.¹ This widespread visual and digital dissemination provided a blueprint and inspiration for aspiring Krumpers. Records suggest that Krump began to ripple through New Zealand's dance scene around the mid-2000s.³ Early footage from channels like MaJiK111, which joined YouTube in January 2007, features Krump Kings in Auckland and videos titled "BlaCK MaJiK" dating back 18 years, indicating a presence as early as 2006. Similarly, the TaroPower YouTube channel, established in July 2006, showcases early Krump sessions from 2007, featuring dancers such as Manu, Ben, Yash, Olo, and Jack at IBCC Krump Sessions. The "Rock The Top 1.0" event in 2007 even included a Krump category, with battles like Chris vs Dan. The "Hope Anniversary" and "Wellington Groove" events of 2007 also featured early Krump presence.

A notable characteristic of early Krump practitioners in New Zealand was a significant prevalence of Polynesian heritage.³ This demographic's strong ties to community and expressive cultural traditions made Krump a natural fit for channeling emotions and building identity. The rapid proliferation of Krump among Polynesian youth suggests an organic cultural diffusion, indicating a pre-existing cultural receptivity to expressive, high-energy dance forms. Early online content, such as "Krump Kings in Auckland" (circa 2006) on the MaJiK111 YouTube channel, affiliated with Israel Adesanya, further demonstrates the early presence and influence of Krump culture in the city. The foundational influence of Krump's co-creators, Tight Eyez and Big Mijo, resonated deeply within the burgeoning New Zealand scene from its inception, with Ennaolla Paea noting Big Mijo's observation that New Zealanders possess the Haka to draw from, suggesting an early recognition of cultural parallels.¹

The period also saw the emergence of pioneering figures and initial formalization of the Krump scene. Pioneering figures emerged during this nascent period. Israel Adesanya, later to become a renowned MMA fighter, was a prominent Krump dancer known as Black Majik or MaJiK, and also Big Llow, affiliated with the Broken Naes crew.³² His crew included dancers like King Cookie (also known as Little Magic), Switch (Twin Magic), and Baby Magic. Black Majik himself, in a 2008 video, expressed strong opinions on the New Zealand Krump scene, noting perceived corruption and "fakes," while advocating against criticism of others' styles and asserting that no single dancer could be definitively "the best". He emphasized that top dancers, such as those from Brotherhood, Greedies, and Underground Kings, could win or lose on any given day, depending on circumstances. The Wellington scene also saw significant activity, documented by channels like NZMaori88 (joined June 2009), featuring early performances like the "Waitangi Krump Performance in Palmerston North" (15 years ago) and sessions in Manners Mall. Dancers such as Boii Omen, Exile (J Omen), Trajikk, Lil Righteous, and J Righteous were seen at Palmerston North carpark sessions. Early battles also occurred at events like StreetRage2, featuring Lil Hammer versus Boii Omen, and showcases from Big Hammer and Jay Mirakle.

By 2008-2009, a competitive spirit began to manifest, with Joash Fahitua, a Samoan dancer, notably hosting the first Krump competition in New Zealand.¹⁰ Fahitua, who discovered Krump in Sydney, subsequently achieved numerous victories in Krump competitions with his crew and was featured in commercials.¹⁰ This early formalization through competition laid the groundwork for future structured events. Additionally, Thomas "Tommy the Clown" Johnson, widely recognized as the creator of "Clowning" (the predecessor to Krump), undertook a three-week tour of Auckland schools around May 2007, with subsequent appearances in Whangarei, Hamilton, Paeroa, and Tauranga.³⁵ Johnson's shows, a blend of magic, dance, and song, explicitly aimed to educate youth about the dangers of gangs and drugs, promoting Krump as a positive outlet for energy.³⁶ His New Zealand tour was notably funded by John Tamihere, chief executive of the Waipareira Trust.³⁵ This direct engagement with youth and the focus on providing a positive alternative to gang life established a community-focused rather than purely commercial trajectory for Krump in New Zealand from its very beginnings.

The Scene Takes Shape: Fams Emerge and Battles Intensify (2010 – 2014)

The early 2010s marked a significant phase of growth and structural development for the Krump scene in New Zealand, characterized by an increase in organized events and the strengthening of community ties across major cities. This period saw a clear shift from informal sessions to structured national competitions and increased international engagement, indicating a maturing scene that actively sought legitimacy and higher performance standards. Krump Aotearoa, a support network for the community, was established, its YouTube channel joining in July 2012 and chronicling a decade of events.

In 2010, Wellington emerged as a focal point for Krumpers, with figures like Big Raw, Omen, and Shock Proof actively participating in and discussing "Cap City sessions." The "Heart of Krump NZ" series of battles further intensified the competitive landscape, featuring various individuals and even New Zealand versus Australia rounds. By 2011, the establishment of the "NZ Krump Nationals (SK Session)" provided a crucial national platform for dancers to compete and showcase their skills. Early events like "Troublegrounds" saw dancers such as Asylum and Ricochet.³⁷ The NZ Krump Nationals 2011 archive features extensive sessions, highlighting the burgeoning talent pool. The KeepItWildN channel, which started archiving Krump sessions and battles in July 2011, captured events like "West AKC caging" and sessions featuring Big Alien vs Testament. Amanaki Prescott-Faletau, a Tongan dancer who later became a judge at the National Hip Hop Championships, notably competed in the World Hip Hop Dance Championships in 2011, reflecting the growing aspirations of New Zealand dancers on the global stage.³⁷ The year 2012 witnessed continued national competitive activity with "Krump Nationals (NZ KN 2012)," including preliminary and main events. This year proved pivotal with the documentation of numerous structured competitions.³⁸

2012: The Rise of Organized Competition

Troubled Grounds 2012: This event included "Last Man Standing" battles (e.g., Kid West Mayhem vs Blackout aka Twin EXCB, Prince Maestro vs Lil Kisses aka Lowce, Prince Maestro vs Image Taker, Prince Maestro vs Jdashomen Aktive, Jdashomen aka Aktive vs Boi Omen Tha Shadow, Jdashomen aka Aktive vs Blackout aka Twin EXCB), Tag Team battles, and Call Out battles.
Cap City Prelims: Featured "Lil Homie" (LH) selections and finals (e.g., Young Omen, Jr Mutiny, Young Shadow, J Dot Breakthrough, Jr Breakthrough) and "Big Homie" (BH) battles and finals (e.g., Shadow vs Asylum, Remnant Tha Soulwinna vs Twin O/A aka Detective #12).
AKC Prelims 2012: Included battles such as Groove vs Masta, Alien aka Emo vs Testament, Masta vs Alien aka Emo, Jr Phat vs Good Omen aka Aktive, Young Trajikk vs Light Saber, Lady Horror vs Young Lowc, and multi-dancer rounds.
NZ Krump Nationals 2012: This major event had "Lil Homie" (LH) and "Big Homie" (BH) sections with multiple rounds and semi-finals, featuring dancers like Good Omen vs Boy Author, Light Saber vs Girl Grove, Lady Horror vs Jr Street Monsta, Jr Crossbearer vs Jr Breakthrough, Groove vs Knuckles, Greedy vs Shadow, Masta vs Remnant, Asylum vs Milz, Alien vs Pacc, Blackhawk vs Twin Omen, and culminating in finals like Jr Crossbearer vs Light Saber and Alien vs Milz.
Swag Fest 2.0: Showcased Krump vs Break battles featuring Kid CT, Prince Maestro, Light Saber, Aktive, and EXCB.

Regional competitions such as "Troubled Grounds 2012," a "Last Man Standing Battle," and "AKC Prelims & Cap City Prelims" further contributed to the vibrant national scene.

A pivotal moment for international engagement occurred in 2013 with "Treason," a major Krump event held in Wellington. This event featured intense battles, lock-in sessions, and workshops.¹ Crucially, Ruin, "Tha Legion Killa" from the United States, participated, engaging in battles and conducting workshops.¹¹ Ruin observed the high level of talent in New Zealand and highlighted the importance of support within the Krump community, a testament to the scene's burgeoning skill and cohesion. This international validation and the intense competitive environment laid a strong foundation for future global triumphs.

2013: International Recognition and Local Consolidation

Treason 2013: A significant multi-day Krump event in Wellington. It featured a "Lock In Session" (e.g., Ruin tha Legion Killa vs Reech, Ruin tha Legion Killa, Young Trajikk, Tiny Khan, Omen, Kid Street Monsta, Boy Trajikk, Milz, Shadow, Khan, Twin Omen, Trajikk, Knucklez, J Mutiny, Young Shadow, Author, Ricochet, J Breakthrough, Reech), "Cap City Sessions" (e.g., Ruin tha Legion Killa vs Twin Omen, Ricochet vs J Mutiny, Young Shadow vs Lil Coverboii, Shadow vs Khan, Aktive vs Boy Trajikk & Young Trajikk), and main event battles (e.g., Ruin tha Legion Killa vs Boy Ruin & Twin LK, Lil Homie Battle: J Mutiny vs J Street Monsta vs Light Saber, JAY BREAKTHROUGH vs LT. LIGHT, REMNANT vs TRAJIKK, TWIN OMEN & REECH vs AUTHOR & PACC, BOY TRAJIKK & YOUNG TRAJIKK vs LIL OMEN & TWIN OMEN). International dancer Ruin (Tha Legion Killa) expressed admiration for the New Zealand scene, noting the deep appreciation for Krump among dancers and the high level of talent, comparable to international standards. He emphasized the critical role of community support for continued growth.
For The Love Battle: A notable event held to raise money for the 2011 Christchurch Earthquake relief, featuring battles like Example Krump Fam (Chris Teava aka Boy Ruin) versus Black Majik (Israel Adesanya) & Big Masta.
Troubled Grounds 2013: Continued to host Tag Team battles (e.g., Boy Evolve/Kid Trajikk vs Lightsaber/Jr CB, Lil Kong/Baby Kong vs Lightsaber/Jr CB vs Jr Omen/Omen, Asylum/Shadow vs Lil Kong/Baby Kong) and Last Man Standing battles.
KN13 (Krump Nationals 2013): Featured extensive battles including Jr Omen vs Jr Street Monsta, Kid Cross Bearer vs Remnant, Boy Trajikk vs Jr Street Monsta, Montel vs Poura, Judgement vs Alien, Phaze vs Prestige, Fam Clash (AYZ vs Omens), City Clash, and the "Battle of the Champs," culminating in the final battle between Twin Legion Killa/Milz vs Boy Maddknuck/Example.
Bonnie & Clyde Battles 2013: Showcased tag team battles like Booda & Lils vs Edzilla & Katto.
WSB Strictly Buck 2013: Featured battles such as Gizmo vs Flyboii, Nephilim vs Antagonize, Shutdown vs Ladyred, Crash vs Twinmurkem, Infant Shutdown vs Jr Maddawg, Lady Shutdown vs Myndset, Trajikk vs Jr Streetkid, Antagonize vs Shutdown, Crash vs Trajikk, Shutdown vs Flyboii, Gurl Murk vs Example. The final battle was Shutdown vs Trajik. Judge showcases included Tight Eyez & Lil Tight Eyez (Streetkingdom).

The "For The Love Battle," an event held to raise money for the 2011 Christchurch Earthquake relief efforts, showcased the community's capacity for social responsibility, featuring Krump battles, showcases, and workshops, including a notable battle between EXAMPLE KRUMP FAM (Chris Teava aka Boy Ruin) and BLACK MAJIK (Israel Adesanya) & BIG MASTA. The inclusion of Krump versus Break battles at the Red Bull BC One Auckland Cypher further demonstrated the intersection and growing acceptance of Krump within the broader street dance landscape. The community's active use of its art form for social good, such as the earthquake relief efforts, fostered deeper internal bonds and enhanced external recognition, demonstrating a purpose beyond mere competition.

2014:

KN14 (Krump Nationals 2014): Included an AKC Callout with battles like Baby Cross Bearer vs Lil Trajikk, Trajikk vs Eternal, Twelve/Twin Twelve vs City Trouble/Twin City Trouble, EXCB vs Yak, Remnant vs Jr City Trouble, Jr Omen vs Jr Dead End, Jr Aktive vs Jr Ground Bully, Lil Example vs Lil Omen, Lil CT vs Dark Kidd Author, Baby Judgement vs Judgement. The main event featured a Judges Showcase with Bdash aka Twin Everything, BNC heats, Fam Clash Tournament heats and semi-finals, and a 72KO tournament with numerous battles and finals.
The Pirates Global: This crew, established in January 2013, with international reach across AUS, NZ, USA, France, Brazil, Philippines, Canada, Hong Kong, and Germany, regularly hosted sessions and workshops. Their 2014 sessions featured Shutdown, Jr Maddawg, Gizmo, YungMaddreech, Nephilim, XShutdown, Infant Shutdown, Blackout, and collaborations with Tight Eyez & LT. Events like "Bring Buck Session" showcased Rachel, Kyd Maddawg, Alphaone, and Konstruct.

This period also solidified the presence of various Krump "fams" or crews, including Watchmin Fam, EXCBS Krump Fam, and Lighthouse. Lighthouse Famz, led by Ennaolla Paea and Ken Vaega, emerged as a significant South Auckland dance collective, actively hosting events like "Beatdown" to further develop the Auckland dance battle community.¹³ The establishment of these structured groups and events, coupled with international participation, served as a necessary precursor to achieving global recognition, directly linking the competitive fervor and organizational development of this era to later international success.

Maturation and International Recognition (2015 – 2019)

The period between 2015 and 2019 marked a significant maturation of the New Zealand Krump scene, characterized by global triumphs, a growing focus on female empowerment, and a deepening of academic and community engagement. This era saw Krump expanding beyond its competitive roots to embrace diversification and specialization, indicating a thriving and multifaceted ecosystem.

2015:

KNXV (Krump Nationals): This event continued the tradition of national Krump competitions, featuring "Fam Clash Battles" and "BNC Battles" with crews such as DTS, UK, OA, CBK, Rugged Dynasty, Shepherds, and Palmy.
Cap City Treason 2015: Featured rookie and female sections.⁴⁸
King of The Pirates 2015: Included battles like Dingo vs Smilekilla, Baby Shutdown vs Tiny Reech, Baby Shutdown vs SmileKilla, Paniq vs Gizmo, with Paniq vs Smilekilla in the finals.
Hold Your Style 2015: Featured battles such as Tiny Reech vs???, Nephilim vs Macey, Chris C vs Ilay, Henrika vs???, Eric vs??, Jedi vs Eric, Jedi vs ILLay, with Jedi vs Chris C in the finals.
Clash Nation 2015: Showcased Lady Maddawg vs Lady Red vs Mama K.

2016:

EBS 2016 Male Preselection: Featured EXCBS/Aotearoa from New Zealand.
Cap City Treason 2016: Included exhibitions (Shadow vs Evict, Comeback Kid vs Lil Trajikk, Tiny Scar.Y vs Millz), rookie finals (Tayessa vs Connor), female finals (Girl 100 vs Girl Shepard vs Girl Ayz), and a judges showcase.
Fix Your Face 2016: Included finals (Ladyshutdown vs Girl Paniq), top 4 battles (Baby Shutdown vs Girl Paniq, Lady Shutdown vs Kid 2Livez), and special showcases (Smilekilla aka Jr Baddbeast, Brocky aka TwinMaddawg, Shutdown aka Baddbeast).

2017:

BeatDownSix Nation: This Krump Movement was established with the goal of helping and inspiring youth in a positive and safe environment. The "Beatdown" events, hosted by Lighthouse Famz, played a crucial role in developing the Auckland Dance Battle community.¹³
KN17: Featured New Zealand Krump Division BNC Battles and International Division 16BCT Heats, with participants like KID DRILL, ETERNAL, GRIMEAPE, and BIG ELKANA.
The Beatdown Era Begins (formally): The "Beatdown NZ Dance Competitions" YouTube channel joined in March 2017, and "BeatDownSix Nation" in July 2017, marking a new era of event documentation.⁵³
BeatDown Feb/Mar 2017: Featured sessions and battles like Kid Drill vs Redhood/Jdash100, Young Aktive vs Young Example, Aktives vs WatchMins, JR Strongside vs 12 a.k.a Baddbeast X, Lightsaber a.k.a Kid StreetBeast vs Boy Omen.
BeatDownSix Nation's 16man KO Tournament: Featured numerous battles including Tiny Yak vs Jr Example, 12 vs Jr Strongside, Lightsabre vs Kid Scar Y, XIII vs EXCB, Remnant vs Aktive, Commanda vs Twin Khan, J Bad Rillah vs Lil Judgement, Brother Strongside vs Potion, J EXAMPLE vs 12, LIGHTSABRE vs XIII, AKTIVE vs TWIN KHAN, 12 vs XIII (Semi-Finals), AKTIVE vs J BAD RILLAH (Semi-Finals), and J BAD RILLAH vs 12 (Finals). This channel also showcased the "NZKC Haka for Wave aka Kid Tight Eyez" and "PALMERSTON NORTH vs WELLINGTON Rep Yo City Finals".
KN17 (Krump Nationals 2017): This comprehensive event included the NZ Krump Division (BNC battles), International Division heats and quarter/semi-finals (Kid Drill vs Eternal, Grimeape vs Big Elkana, Young Murkem vs Redhood, Commander vs Jr Kana, City Trouble vs Twin All Bad, Lady Red vs XIII, Shutdown vs Killa Yak, Milz vs Kool Blue, Big Elkana vs Eternal, City Trouble vs XIII, Shutdown vs Milz, Big Elkana vs City Trouble, Shutdown vs Jr Kana, Redhood vs Jr Kana), Fam Clash Semi Finals, BNC Finals (Twin Aktive & Girl Aktive vs Jr Baddrillah & Girl Badrillah), 72KO battles (12 vs Mutiny, Aktive vs Jr Street Monsta, Aktive vs 12, Lightsaber vs Mutiny, 12 vs Aktive, 12 vs Lightsaber, 12 vs Grove, 12 vs Jr Street Monsta, Aktive vs Mutiny, Aktive vs Grove, Lightsaber vs Jr Street Monsta, Lightsaber vs Grove, Lightsaber vs Aktive, Lightsaber vs Remnant, Aktive vs Shepherd, Aktive vs Remnant, Lightsaber vs Shepherd), and an Exhibition Battle (Matters vs Beast).

2018:

First New Zealander to Win Krump World Champs: In a momentous achievement, Ken Vaega, known as Lightsaber, became the first New Zealander to win the Krump World Championships on July 22, 2018, in Dusseldorf, Germany.² This victory was a pivotal moment, underscoring New Zealand's rising prominence in the international Krump community. Vaega's personal journey, growing up in South Auckland without a father, found profound expression through Krump, allowing him to articulate pain and emotions that words could not convey.² His success was further bolstered by mentorship from Los Angeles-based Krump legend Baby Tighteyez.² This global success had a direct and tangible impact on the local scene, fostering national pride and inspiring younger generations by demonstrating that international dominance was achievable for New Zealanders.¹⁴
"Grounded - Auckland Team Performance Award": Ennoalla Paea-Vaega (formerly Ennoalla Paea), a co-founder of the Watchmin World fam, was recognised as a choreographer for winning this award with her Female Krump Crew.
World of Watch:MIN: The Watch:MIN crew was established in 2017 to amplify women in Krump, gaining recognition in Aotearoa and Australia as a platform to nurture and empower female street dancers.¹⁵
KN18 (Krump Nationals 2018): Presented BNC Showcases (A.K.Twist, Hyperaktive, LH), Fam Clash 3v3 (Hype Rush vs Watchmin in finals, Semis: Fempire vs Watchmin, Hype Rush vs Badd Shepherdz), BCT (Battle Compete Tournament) Females (Contenders like Girl Rawplay, Nova, Rowdy Red aka Lady AR, Young Stylah, Hannah, Lady Red, Girl Stylah, Girl Flyboi, Girl Matters, Girl Street Beast; Top 8, Semis, Finals), BCT Males (Contenders like Blitz The Smash Boi, Pax, Jr Hood, YNBBG X, Madd Blue, Masta, Elkana, Shinobi, 12AF, Jr Kana, Bulldawg, Aktive, Goofee, Cube X, Boy Omen, Twin Blvd, Ill Twist, Monsta Blvd, Kid Badrulez, Light Saber; Top 8, Top 16, Semis, Finals). The event also featured a 7.2.Kill Off Division and 8Bucks Division.

2019:

"Beauty in the Ugly" Research: Matthew Luani's Master of Design thesis, an insider's look at Krump in Aotearoa, specifically focused on the stories of Pasifika Krumpers.¹⁶ He conducted semi-structured interviews with four Pasifika Krumpers: Trent Omeri (Samoan and Irish), Iakopo Uelese (Samoan), Ennaolla Paea (Niuean and Canadian), and Ken Vaega (Samoan and Māori). This research aimed to challenge stereotypes of Krump as aggressive and violent, instead highlighting it as a tool of resilience and a positive outlet for emotions.¹⁶
Event Planning: Treason (Wellington), The Graveyard (Palmerston North), and The Beatdown (Auckland) were mapped out as key national and regional events for filming, indicating ongoing and regular Krump activity. Capcity sessions were filmed.
Auckland Krump Prelims for "Land of the Kings": These events were held in conjunction with Zeal in Auckland City, organised by Krump Aotearoa. Lady Hora was highlighted for her impressive performance.
Krump Club of Ōtara: Established as part of the Lighthouse fam, providing a safe space for kids to learn Krump and values.¹⁷
KN19: Featured Krump Nationals events including Fam Clash Battles and BNC Division Preselections and Finals.
KN19 (Krump Nationals 2019): Included Fam Clash Finals (Hype Rush Empire vs Saber Fam), BNC Division preselections and finals, 1v1 Female Tournament (Preselections: Girl Baddrillah, Girl Grounded, Lady Aktive, Kid Antagonize, Young 5Roundz, Queen Tresspass, Jr Eternal, Twin Watchmin, Watchlight; Top 8, Top 4, Finals: Watchlight vs Girl Matters), 1v1 Male Tournament (Preselections: 12AF, Purebreed, Monsta Tresspass, Boy Lightsaber, Boy Omen, Aktive, Kid XIII, Kid Milz, King Kulture, Shinobi, EXCBS, Matters, Lil Lightsaber, Trip, Pax, Grimeape, Jr Street Monsta, Tresspass X; Top 16, Top 8, Top 4, Finals: 12AF vs EXCBS). It also featured 7.2.Kill Off and 8Bucks Krumpire Qualifiers.⁵⁷
Treason 2019: Lightsaber aka Jr Street Beast was featured at this event.

The Contemporary Landscape: Sustained Growth and Community Focus (2020 – Present)

The 2020s have seen Krump in New Zealand continue its dynamic evolution, marked by sustained growth, a pronounced emphasis on community building, professional development, and intergenerational empowerment. This period demonstrates a clear trajectory towards the artistic mainstream and an expansion of performance contexts. The LH Combine, a creative collective based in Aotearoa/New Zealand, emerged with a goal to provide opportunities and help creatives discover their purpose.

2020:

Krump Aotearoa's YouTube channel, which serves as a support network for the New Zealand Krump community, has been running for over 10 years.
KN20 (Krump Nationals 2020): Featured exhibition battles (Aktive vs Monsta Tresspass, YG Example vs Boy Omen, Lil Lightsaber vs Lil Omen, Endshot vs Boy Lightsaber, Twin $’ab vs Commanda), a guest showcase by Krump Club, and a Tag Team Battle (Freshmans vs IDCO).
The BEATDOWN 2020 Kidz Edition: Hosted Krump Prelims (Bella, Brooklyn, Emily, Lauvi, Leniza, London, Natalie, Peyton, Reiley, Ruby, Samantha) and Open Style Prelims (Dallas, Ethan, Finn, Gabriel, Jahleh, Kyra-lee, Kyree, Natalie, Nika, Pamela, Praise, Raul, Rian, Samara, A.Hunnid, Jenique).

2021:

Projekt Feel Good: Held in South Auckland, this annual Hip Hop and Street Dance Experience aimed to connect and inspire participants through workshops, dance battles, panel discussions, and exhibitions, fostering positive and safe spaces for wellbeing.
KN21 ONLINE: Adapting to new formats, this event included KY (Kids/Youngins) Division Prelims and battles (Baby Watch:Min vs Explosion vs Badd Blvd, Rain vs Kid Blvd vs Rian, Kid Thunder vs 8face vs Raul, Girl Exl vs Rani), XP (Experienced) Preselections and battles (Girl XIII vs 1:AM, Jdot Example vs Edward, Jdot 12 vs Konstruct, Jr Stylah vs X-otic vs Boy Example, Killa Playmaker, Jdot Strong Side vs Boy Wolverine), and Hitterz Division battles (Fly vs Killa Bodybag, Aktive vs J Hood, Milz vs Blvd, Antagonize vs Boy Omen, XIII vs Jr Trip, Savage Street Beast vs Boy Antagonize, 12AF vs Illkid X, Soul vs Nix). It concluded with Top 8, Semi-finals, and Finals for all divisions.

2022:

Pop, Lock & Break it: A 3v3 Street Dance Battle in July 2022, where Mr. Zee served as the popping judge. This event showcased various New Zealand street dance crews.
Christchurch Hip Hop Summit: Featured breakdancing workshops, keynotes, and battles delivered by Christchurch's world championship-winning dance crew Common Ground. Krump is a significant part of the wider hip hop culture celebrated at this summit.
Parley '22: A gathering of breaking crews and members from around New Zealand, sponsored by EnBeat Dance Academy, featuring city vs. city battles.
THE BEATDOWN May 2022: Featured finals for Adults (S.H.N.B.K vs Lil 12), Kidz (Baby XIII vs YG XIII), and Younginz (Raul vs Kidd Blvd), alongside various preliminaries.
BEATDOWN August 27th 2022: Included Rookies, Kidz, and Heavy Hitters preselections, as well as "7 to Smoke" battles across categories.
Labyrinth NZ 2022: Hosted an opening session, a guest showcase by Baby Watch:Min & Queen Trespass, prelim rounds, and top 8/top 4 battles (Hatesa vs Ashley, IndiHaze vs Caitlyn, Kayla vs Monev vs Lyla, Peyton vs Kalliope, Kalliope vs Hatesa, Kayla vs Caitlyn).
BEATDOWN END OF YEAR 2022: Featured Kids, Younginz, Rookies, and Heavy Hitters tournaments, including semi-finals and finals (e.g., Rian vs Kidd XIII in Kids Finals, Wolf vs Monsta Strongside in Rookies Finals, Strongside vs Omen in Heavy Hitters Finals).

2023:

BEATDOWN CHAMPIONSHIP: A major Krump and All Styles event that included "NZ OS" (New Zealand Open Styles), "Heavy Hitters," "Kidz," "Rookiez," and "Younginz" divisions.¹⁹ Participants: A vast array of Krumpers participated, including Alien, Grimeape, Boy XIII, El Flow, Breakthrough, Endshot, IP Saber, Gerry, Souljah Bulldozer, Kidd Saber, Kidd Trauma, Prince Saber, Brooklyn, Russabuck, Severe, ASAB, Aktive, YG Trip, 12AF, Erupt, Omen, Baby XIII, Iso, Lauvi, Andrea, West Dxzn, Wing Watch:min, Watch:min, Phirus, Girl StreetBeast, Ember, Killa Encore, Achilles, Matter$, Ak75, Boy Powerpuff, Lil XIII, Miki, Aeon, ILL Drill, Alph, Nyxx, Flow, Masta, Kidd $A'BER, Prince $A'BER, Baby Girl 12, Reset, Savy B, YG $A'BER, Girl Phirus, Essence, Process, Peyton, Tana, Lil $A'BER, P Bruiser, Ashley, Philippa, Rama, Kid Endshot, Prince SYTE Monsta XIII, Boi Strongside, Baddrilla, and YG Watchmin.
KOB NZ Qualifier: A King of Buck qualifier event in New Zealand, with divisions for Mens, Kids, Womens, and Teams.¹ Participants: Included YG TRIP, 12AF, Kidd XIII, Baby XIII, Iso, Tvff (P Bruiser), Hyperush Empire, Gfam, A$A'B, Achilles, Ak75, ILL Drill, YG $A'BER, Girl XIII, Prince $A'BER, Ashley, Jr Endshot, Boi Strongside, Pablo, Philippa, Rama, Kid Endshot, Prince SYTE Monsta XIII, Vision, Baddrilla, and YG Watchmin.
NZ Krump Panel Discussions: Featured discussions with prominent figures like Aktive, Erupt, and 12AF.
BD Rookies 2023: Showcased battles like Endshot vs Enigma, Endshot X vs Rian, Kieran vs Baby XIII, Liam vs Boi XIII, Micro XIII vs Monsta XIII, Miss Endshot vs Air, Raul vs Tiny Endshot, YG XIII vs Lady KO.
BD Youth 2023: Included Younginz (Luffy vs Kid XIII, Luffy vs Brooklyn, London vs Leniza vs Brooklyn, London vs Brooklyn, Leniza vs Kid XIII, Josh vs Badd Blvd, Lil XIII vs Peyton, Nezie vs Hoa Zhen), and Kidz divisions (King Joshy vs Hao Zheni, King Joshy vs Hao Zhen, Hao Zhen vs Mosta XIII, Haeme vs Micro XIII, Child XIII vs Micro XIII, Rani vs Haeme, Stanley vs King Joshy) with finals and a judges showcase (Aktive aka Fleshkilla X, YG Saber & Prince Saber).
BEATDOWN Heavy Hitters 2023: Featured after sessions (Omen vs Erupt, Mr Powerpuff vs Ooshcon, Alien vs Grimeape, Severe vs Lil Strongside, Ember vs Reset, CT vs Aeon Tha Poet), top 16 battles (Savyb vs Pablo, AK75 vs YG Saber, Kidd Saber vs Baby XIII, Kidd XIII vs Lil 12, Plainsundae vs Nyxx, Kieran vs Baby Watchmin, Lil XIII vs Lil Antagonize, Lil Saber vs Boi Blackzik), preselections, top 8, semi-finals, and finals (AK75 vs Savyb).
Labyrinth NZ 2023 Session Night: Included an opening session, battles like Lil Matterz vs Girl XIII, Lysharn vs Mia, Leniza vs Iso, Lauvi vs Andrea, West Dxzn vs Wing Watch:min, Watch:min/Phirus aka Girl StreetBeast vs Ember aka Killa Encore, Nyxx vs Girl Endshot, Lady Aktive vs Lady K.O, Killa Encore vs Lil Antagonize, Girl Phirus vs Girl XIII, and a judges showcase. A tournament also took place with preselections, top 8, top 4 (Iso vs YG Watch:min, Girl Phirus vs Mosta Endshot, Girl Endshot vs YG Watch:min), and an exhibition.
"Lock It In" Locking Event 2023: Focused on the locking style, featuring soul trains, top battles (Amy vs Happyfeet in finals, Astro Andy vs Kelvin, Happy Feet vs Kelvin, Rian vs Amy, Rian vs Talayna, Yao vs Happyfeet, Amy vs Raul), and a judges showcase.

2024:

BEATDOWN HH & NZ OS Qualifier | Krumpfest 2024: Another significant Krump event showcasing both Heavy Hitters and Open Styles battles. Participants: Included Achilles, Matter$, Severe, Ak75, Boy Powerpuff, Lil XIII, Miki, Aeon, ILL Drill, Alph, Nyxx, Flow, Masta, Kidd $A'BER, Prince $A'BER, Baby Girl 12, Reset, Savy B, YG $A'BER, Girl Phirus, Essence, Process, Peyton, Tana, and Lil $A'BER.
World of Watch:MIN: A "ground-breaking dance work" showcasing an all-wāhine (all-female) cast, bringing narratives of "endurance and evolution" through Krump to the theatre stage at Māngere Arts Centre. Directed and choreographed by Ennaolla Paea-Vaega.¹⁵
Le'o (Ko Au mini-fest): This festival, now in its fourth year, celebrated diverse cultures through street dance, including Krump, with young talent and seasoned performers.
BEATDOWN Rookies Qualifier 2024: Featured Top 18 battles (Alph vs YG Endshot vs Magento, Cuda vs Tana vs Girl Phirus, Dusty vs Air XIII vs MaddMaxx, Keiran vs Andy vs Kidd XIII, Ray vs Lauvi vs Rani, YG SABER vs Prince SABER vs Micro XIII), a Judges Showcase, Top 6, and Finals.
Beatdown Youth Qualifiers 2024: Included Kidz division (Baby Girl 12 vs Bella, Baby Girl 12 vs Zeke, Bella vs Alex, Rani vs Haeme, Stanley vs King Joshy) and Younginz division (Baby Watchmin vs Hao Zhen vs Joshy, Baby Watchmin vs Kidd XIII, Baby Watchmin vs Micro XIII vs Prince Syte, Baby XIII vs Child XIII vs Lil XIII, Baby XIII vs Kidd XIII, Child XIII vs Girl Syte, Josh vs Badd Blvd, Lil XIII vs Peyton, Nezie vs Hoa Zhen) with finals and a judges showcase.
Lock It In Locking Competition May 2024: Featured Cypher, Judges Showcase, Soul Train, and battles like Sam vs Rian, Brooklyn vs Yao, Ken vs Rani, Ken vs Yao, Raul vs Rian, Sam vs Gee, Sam vs Yao.
LABYRINTH Ladies Krump Event | Krumpfest 2024: A significant event amplifying women in Krump, showcasing sessions (Ember aka Killa Encore vs Essence aka Twin Red, Iso vs Miki, Kidd Endshot vs Watchmin Wing, Tori vs Baby Watch:min), tournament battles (Girl Phirus vs Monsta Endshot, Monsta Endshot vs Philippa, Monev vs Rora, Girl Phirus vs Tori, Baby Girl 12 vs Rora, Baby Girl 12 vs Vic), exhibitions (Miki vs Nyxx, Girl Phirus vs Essence), and a judges showcase. The finals saw Girl Phirus vs Baby Girl 12.
Rhythm & Buck | Krumpfest 2024: Another event at Krumpfest 2024, featuring battles like Process vs Peyton, Process vs Reset, Process vs Savy B (Finals), Process vs XIII, Tana vs Lil $A'BER, Ak75 vs Savy B, Iso vs Kidd XIII, Lady KO vs Kidd XIII, Lady KO vs Prince $A'BER, Lil $A'BER vs Savy B, Miki vs Essence, Peyton vs Essence, Trav vs Peyton, YG $A'BER vs XIII, and Savy B vs Kidd XIII.
SET IT OFF Vol 1: A Hip-hop x House Dance Event featuring a Hip-hop Division 7 to Smoke and House Division battles (Hemi vs Stacey, Hemi vs Cece (Final), Happyfeet vs Bonnie, Blizzo vs Stacey, Cece vs Sam, Cece vs Bonnie).
BEATDOWN CHAMPIONSHIPS 2024: A major championship event with judges showcases and ANZAC CUP street battles (12AF vs Street, A$A'B vs Red, Achilles vs Essence, Baby XIII vs YG A1, Breakthrough vs Havoc, EXCB vs Queen Red, Kid XIII vs Drift, Omen vs Reset, Pvblo vs Lite, Donbvck vs Soul Red, Vision vs Stoneface), Rhythm N Buck finals (Vision vs 12AF), and division battles across NZ Open Styles (NZ OS), Rookiez, Younginz, Kidz, and Heavy Hitterz.
Projekt Feel Good: A festival in South Auckland, held in January 2024, organised by Projekt Team and Do Good, Feel Good collectives. It aims to combat the negative narrative around street dancing as a life goal, making it more accessible by including international guests, world champions, and national choreographers, with many free activities. Mele Tapueluelu from Projekt Team highlighted the importance of accessibility, especially for Pacific people for whom dance and music are natural parts of storytelling.
Pring It On: A theatre show premiered in January 2024 by newly established Strictly Brown, a Pacific twist on "Bring It On," focusing on Polyfest preparations and experiences.

The consistent emphasis on "Kidz," "Rookiez," and "Younginz" divisions in major events, alongside established figures leading discussions, ensures the transfer of knowledge and sustained growth across generations. This structured mentorship directly contributes to the perpetuation of the art form, guaranteeing its long-term viability.

Cultural Tapestry: Krump's Unique Aotearoa Identity

The integration of Krump into Aotearoa New Zealand's cultural landscape is a compelling testament to its adaptability and the deep resonance it found within Māori and Pasifika communities. This is not merely an adoption of a foreign dance form but a profound cultural integration, where Krump's core tenets align with and are amplified by existing Indigenous values of community, spirituality, and expressive storytelling.

Krump's emergence in Aotearoa saw a high percentage of its early practitioners being of Polynesian heritage.³ This demographic found a deep connection with Krump's raw, expressive, and often erratic qualities, which provided an emotional release and a powerful vessel for storytelling.³ This connection is rooted in the broader appeal of Hip Hop culture to Māori and Pacific Island groups since the 1980s, due to its emphasis on community and its capacity to empower disenfranchised groups to make powerful statements.⁶¹

The unique adaptation of Krump within Pacific cultures is further exemplified by Elaine Talamaivao, a dancer of Pacific Island heritage, who has actively fused Pacific Island dance styles with Krump. She identifies a clear parallel between Krump's kinetic energies and spiritual/emotional release and the traditional Māori Kapa Haka.²¹ Talamaivao's practice of performing Krump barefoot, infusing it with "ancestral pride," highlights a deliberate act of cultural synthesis.²¹ Similarly, Byrin Mita, a Māori street dancer, draws explicit connections between Krump and Haka, noting shared elements such as stomping, a strong connection with the ground, and powerful, expressive movement.⁶² These observations suggest that Krump was not merely learned but indigenized, becoming a new vehicle for existing cultural expressions of identity, resilience, and collective praise, deeply rooted in concepts like

whanaungatanga (kinship, relationships, and collective connection).⁶³

The spiritual dimension of Krump further strengthens its ties to Māori and Pasifika worldviews. The acronym K.R.U.M.P. itself, standing for "Kingdom Radically Uplifted Mighty Praise," links the dance to faith-based origins and a form of praise and worship.¹ This spiritual aspect is often perceived as mystical, representing a desire to communicate with a higher power.²⁸ Krump provides a non-violent outlet for raw emotions stemming from challenging upbringings and serves as a means to escape gang life.⁴ Dancers utilize Krump to release negative energy, pain, anger, loneliness, fear, and hate through movement.⁷¹ This therapeutic aspect is particularly significant for many Pasifika and Māori youth, for whom Krump serves as a direct, non-verbal means to process trauma, express difficult emotions, and build resilience, especially in communities facing socio-economic challenges. The concept of

whanaungatanga, deeply embedded in Māori culture, resonates strongly with Krump's emphasis on "fams" (families/crews) and its role in building tight-knit communities, providing a "safe haven" and "support system" for growth.⁷²

Academic perspectives have also begun to explore Krump's unique identity in Aotearoa. Matthew Luani's Master of Design thesis (Massey University, 2019) stands as a key academic contribution, specifically focusing on the experiences of Pasifika Krumpers in Aotearoa.¹⁶ This scholarship contributes to a broader understanding of street dance phenomena within New Zealand's Dance Studies programs, such as those at the University of Auckland.³ The narrative around Krump in Aotearoa actively works to reframe its perceived aggression as a powerful, positive form of emotional expression, directly challenging external misunderstandings. While Krump is often labeled as "aggressive, ugly, and somewhat violent" ²³, practitioners like William Rakena explain that despite its aggressive appearance, it is fundamentally about releasing negative energy through movement rather than inflicting harm.⁷¹ This deliberate effort within the community aims to educate and shift public perception from aggression to cathartic expression.

Table: Cultural Intersections: Krump, Māori, and Pasifika Values

Krump Element	Māori/Pasifika Parallel	Significance to NZ Krump Identity
Emotional Release	Haka (Kapa Haka), Oratory, Traditional Storytelling	Provides an outlet for deep-seated emotions, connecting to ancestral forms of expression and catharsis.
Community & "Fams"	Whanaungatanga (Kinship, Collective Connection)	Fosters strong, supportive networks that mirror traditional family and tribal structures, offering a sense of belonging and mutual support.
Physical Intensity & Power	Haka (Stomping, Vigorous Movement)	Integrates the raw, powerful movements of Krump with the physical prowess and expressive force found in traditional Indigenous dances.
Spirituality & Praise	Faith-based origins (K.R.U.M.P.), Traditional Spiritual Practices	Connects the dance to a higher purpose, aligning with the spiritual dimensions present in many Māori and Pasifika cultural practices.
Resilience & Positive Outlet	Responses to Colonialism & Migration, Cultural Survival	Serves as a tool for navigating difficult life circumstances, offering a constructive alternative to violence and a means to affirm identity and strength.

Key Figures and Fams in New Zealand Krump

The vibrant Krump scene in New Zealand is sustained by a dedicated network of individuals and "fams" (families/crews) who collectively contribute to its growth, education, and competitive spirit. This ecosystem is characterized by interconnected leadership and a strong emphasis on mentorship, where personal journeys often act as catalysts for broader community impact.

Prominent Individuals

Ken Vaega (Lightsaber / Jr Street Beast / formerly Jr Example): A pivotal figure, Vaega achieved international acclaim as the first New Zealander to win the Krump World Championships in 2018.² He is the founder of the Lighthouse fam and co-founded the LH Combine collective with his wife, Ennoalla Paea-Vaega. Vaega actively contributes to youth development by running the Krump Club of Ōtara, where he teaches children Krump and instills positive values.² His own journey, including growing up without a father in South Auckland, found profound expression through Krump, and he was notably mentored by Los Angeles-based Krump legend Baby Tighteyez.² His personal story of using Krump to navigate life's challenges directly informs his motivation to build supportive communities. A prominent choreographer and dancer, Ken Vaega has consistently contributed to the scene through his choreography and active participation in battles under aliases like Light Saber, Jr Street Beast, Lil Lightsaber, and Flyhigh. He runs "Saber Sessions" and actively engages in discussions about the NZ battle scene and the role of OGs (Original Gangsters).
Ennoalla Paea-Vaega (formerly Ennaolla Paea): As Ken Vaega's wife and co-founder of the LH Combine collective (merging her Watchmin World fam with his Lighthouse fam), Paea-Vaega is a prominent choreographer and performer. Her "Female Krump Crew" received the "Grounded - Auckland Team Performance Award" in 2018. She directs "World of Watch:MIN," an all-wāhine (all-female) Krump theatre show, amplifying women's voices in Krump.¹⁵ She also leads the South Auckland-based Lighthouse Famz, a support base for creative artists.⁷ Ennaolla describes Krump as an "underground misunderstood community," highlighting the ongoing effort to reframe public perception and create inclusive spaces.¹⁷ A dancer and choreographer leading South Auckland-based Lighthouse Famz, she champions dance as a youth development tool and has been instrumental in producing large-scale youth dance events. Her work with the Watch:MIN crew exemplifies leadership in empowering female street dancers and bringing authentic Krump narratives to theatre.
Chris Teava (Boy Ruin / EXCBS): The founder of the EXCBS Krump fam, Teava has been a significant competitor, notably participating in the "For The Love Battle." He is deeply involved in organizing major Krump events in New Zealand and aims to establish "Krump Aotearoa" as a youth organization and pathway for the community.⁸¹
Trenton Omeri (12AF): An expressive street artist, educator, and advocate for creative movement and mental well-being, Omeri offers "Enter Universe 12" classes focusing on Krump fundamentals. He was a key interviewee for Matthew Luani's "Beauty in the Ugly" thesis and is one of the main creators behind the "Why We Move" project, a tribute to the Aotearoa Krump scene.⁸⁵
Iakopo Uelese: A Wellington Krumper interviewed for "Beauty in the Ugly," who shared how Krump helped him process a difficult upbringing and built his resilience.⁸⁷
Israel Adesanya (Black Majik): While primarily known for his martial arts career, Adesanya was a participant in the "For The Love Battle." Prior to his fighting career, he regularly competed in dance competitions across New Zealand and showcased his passion for dance in a choreographed walkout at UFC 243.³²
Samuel: A Krump dancer who has represented Aotearoa internationally and is part of the XIII street dance collective, regularly competing in battles. He has expressed aspirations to travel and dance globally.⁸⁹
William Rakena: A young dancer who credits Krump with helping him overcome a troubled youth, finding it a release of energy and a supportive community. His transformative journey was featured in a "Both Worlds" documentary.⁷¹
Joash Fahitua: A Samoan dancer who discovered Krump in Sydney and later hosted the first Krump competition in New Zealand, winning many with his crew.¹⁰ Fahitua is actively working to fuse Krump with Contemporary dance to create a unique style that tells stories of his culture, experiences, and family.¹⁰
12 (Baddbeast X): A central figure with various aliases including Baddbeast X, Lil 12, Young 12, Rugged 12, Jdot 12, and 12AF. He frequently featured in battles and discussions, indicating a significant presence and influence across different eras of NZ Krump.⁸⁵
Omen (various aliases): From Cap City, Wellington, Omen (Lil Omen, Boii Omen, Twin Legion Killa, etc.) has been a consistent figure in Krump battles and sessions, often highlighted in Cap City events.
Suga Pop: Though primarily US-based, his workshops in Auckland and Wellington in 2013, focusing on locking and popping, injected significant momentum into these foundational street dance styles in New Zealand, influenced by his own trajectory working with global artists.

Key "Fams" (Families/Crews)

The Krump scene's structure is heavily reliant on these interconnected groups, which foster talent and community.

EXCBS Krump Fam: Founded by Chris Teava, this fam is a foundational pillar in the competitive scene.
Lighthouse Fam: Established by Ken Vaega, this fam later combined with Watchmin World to form LH Combine. It is also responsible for the Krump Club of Ōtara, providing a safe space for youth development.¹⁷ Lighthouse Famz is committed to offering high-caliber opportunities to local talent and connecting New Zealand dancers to the global stage.¹³
Watchmin World (Watchmin Fam): Founded by Ennoalla Paea-Vaega, this fam specifically focuses on empowering women in Krump.¹⁵
LH Combine: This collective, formed by the merger of Lighthouse and Watchmin World, aims to create opportunities and help creatives discover their purpose.
XIII Fam / XIII WRLD collective: A high-performance street dance team and developmental program founded by Byrin Mita, it nurtures young talent across various street dance styles, including Krump, hip-hop, popping, and locking.⁶²
Hyperush Empire: Another prominent Krump fam, led by Alexander "Aktive" Teratuia.⁹
Krump Aotearoa: This organization serves as a central support network for the New Zealand Krump community, having operated for over a decade and actively organizing significant events like "Land of the Kings."

The interconnectedness of these individuals and "fams" is a defining characteristic of the New Zealand Krump scene. Ken Vaega's mentorship by Baby Tighteyez and his subsequent role in running the Krump Club of Ōtara exemplify a deliberate effort to cultivate new talent and leadership from within the community.² Events like the "Batman & Robin" edition of Beatdown formally integrate intergenerational mentorship, pairing experienced adults with younger dancers to empower them.¹³ This robust system ensures continuity and knowledge transfer. The personal struggles and triumphs of key figures often directly translate into their motivation to build supportive communities and utilize Krump for positive social change. Ken Vaega's use of Krump to express his personal pain directly connects to his work at Lighthouse studio, which aims to support others with challenging pasts.¹⁴ William Rakena's transformation from a troubled youth to a dancer highlights the art form's power as a release.⁷¹ For many key figures, particularly those of Māori and Pasifika heritage, Krump serves as a powerful medium to affirm and celebrate their cultural identity on both national and international stages. Byrin Mita emphasizes the importance of Māori representation in street dance ⁶², while Joash Fahitua aims to tell cultural stories through his fused dance style.¹⁰ This indicates that Krump provides a unique, dynamic space for these dancers to express not just personal emotions but also their cultural roots, contributing to a distinctly Aotearoa Krump style.

Table: Prominent Krump Fams and Collectives in Aotearoa

Fam/Collective Name	Founders/Leaders	Primary Focus/Mission	Notable Achievements/Contributions
EXCBS Krump Fam	Chris Teava	Competitive Krump, Event Organization	Involved in major Krump events; competed in "For The Love Battle"
Lighthouse Fam	Ken Vaega, Ennoalla Paea-Vaega	Youth development, Community support, High-caliber opportunities, Connecting NZ dancers globally	Founded Krump Club of Ōtara; hosts "Beatdown" events; co-founded LH Combine
Watchmin World (Watchmin Fam)	Ennoalla Paea-Vaega	Empowering women in Krump, Nurturing female street dancers	"Female Krump Crew" won award (2018); directs "World of Watch:MIN" theatre show
LH Combine	Ken Vaega, Ennoalla Paea-Vaega	Providing opportunities, Helping creatives discover purpose	Merger of Lighthouse and Watchmin World to strengthen community
XIII Fam / XIII WRLD collective	Byrin Mita	High-performance street dance, Youth talent development	Fosters young talent in Krump, hip-hop, popping, locking; international representation
Hyperush Empire	Alexander "Aktive" Teratuia	Krump performance and community engagement	Active Krump fam in the New Zealand scene
Krump Aotearoa	N/A (Support Network)	Support network for NZ Krump community, Event organization	Runs for over 10 years; organizes events like "Land of the Kings"

Challenges and Opportunities for Growth

The trajectory of Krump in Aotearoa New Zealand, while marked by significant growth and cultural integration, is not without its challenges. Navigating mainstream perception and securing consistent funding remain critical areas for sustained development.

Krump has historically faced a persistent perception as aggressive, ugly, and violent.²³ This misunderstanding poses an ongoing barrier to broader mainstream acceptance and support. Early on, a group of Onehunga High students encountered difficulties rehearsing unsupervised at school due to the "apparently aggressive style" of their krumping.¹¹³ This initial perception continues to influence how the dance is received by institutions, potential funders, and the general public. The community's proactive measures, such as Matthew Luani's academic research ¹⁶ and the establishment of youth clubs like the Krump Club of Ōtara ⁵

New Zealand Street Dance

The Chronological Evolution and Cultural Integration of Krump in Aotearoa New Zealand