The Rhythmic Pulse of Aotearoa: A Comprehensive History of Krump in New Zealand

Executive Summary

Krump, a dynamic and expressive street dance, has forged a vibrant and evolving community in Aotearoa New Zealand since its introduction in the mid-2000s. Catalyzed primarily by the documentary Rize, Krump quickly resonated with local youth, particularly within Māori and Pasifika communities, finding fertile ground for its high-energy, emotionally charged movements. From its early grassroots emergence in Auckland and across various regions, the New Zealand Krump scene has undergone significant formalization, marked by the establishment of national competitions, influential "fams" (families), and structured mentorship programs. This growth has propelled New Zealand Krumpers onto the international stage, culminating in world championship victories and global recognition. The art form has demonstrated remarkable adaptability, transitioning to online formats during periods of disruption and expanding into theatrical productions that highlight cultural narratives and female empowerment. The recent establishment of dedicated Krump spaces, such as the Silo Sessions in Auckland, signifies a new phase of consolidation and sustained development. Krump in Aotearoa has transcended its origins to become a powerful vehicle for self-expression, cultural affirmation, and youth development, deeply interwoven with the nation's diverse cultural fabric.

I. Introduction: The Global Roots and Local Emergence of Krump in Aotearoa New Zealand

Krump, an intensely expressive and highly energetic street dance, originated in the early 2000s within the marginalized communities of South Central Los Angeles. Pioneers such as Ceasare "Tight Eyez" Willis and Jo'Artis "Big Mijo" Ratti developed this dance as a powerful outlet for positive emotional release, offering an alternative pathway to the prevalent gang life.¹ The spiritual foundation of Krump is encapsulated in its often-cited acronym, K.R.U.M.P., which stands for "Kingdom Radically Uplifted Mighty Praise," reflecting its deep faith-based undertones and purpose.¹ This spiritual dimension provided a unique appeal that extended beyond mere physical movement, offering a holistic form of expression.

The global dissemination of Krump, and its pivotal introduction to New Zealand, was largely a consequence of David LaChapelle's 2005 documentary, Rize.¹ Screenings of

Rize in New Zealand, notably at the Auckland International Film Festival, coupled with the circulation of Krump DVDs and the burgeoning influence of early social media platforms like YouTube, were instrumental in popularizing the dance across Aotearoa.⁴ This early media exposure bypassed traditional dance institutions, fostering a grassroots, community-led adoption that allowed the dance to organically integrate into local contexts. This period set the stage for Krump's unique development in New Zealand, demonstrating how an imported cultural phenomenon could find profound resonance and adapt within the local landscape, particularly among Māori and Pasifika youth, who already possessed a strong connection to broader hip-hop culture.⁶

II. Foundational Years: Pioneers, Crews, and Regional Stirrings (Circa 2004-2010)

The mid-2000s marked the initial stirrings of Krump in Aotearoa, characterized by the emergence of pioneering individuals and nascent communities that laid the groundwork for its future growth.

Auckland's Early Landscape

Krump began to take root in Auckland around 2004-2005. Aaron Hardy (AE) is widely recognized for introducing Krump to the city after his return from the United States, establishing an early movement known as "haters." Although this initial wave reportedly "died off about 2008," it undeniably laid crucial groundwork for subsequent developments. Kevin Griffiths (AKC) also became active in Krumping around 2005-2006, acknowledging Hardy's earlier contributions.

Early crews and figures quickly emerged, shaping the nascent Auckland scene. Luny (later known as Alien) and his "fam" from Mangere were prominent, with early footage appearing on the "kiddLuny" YouTube channel, which joined in June 2006, showcasing the early digital documentation and sharing within the community]. Other significant early groups included ICK (Ice Cream Krumpers) from Rewa areas, some members of whom later formed Mighty Praise, and OBC (Owned by Christ or Otara Baptist Church), which featured figures like Star Krucial and Shaka Boi Monarch at Auckland's inaugural Krump battle event. This early connection between Krump and faith-based communities in New Zealand mirrored the dance's origins in South Central Los Angeles, where it was often linked to spiritual expression.¹

Israel Adesanya (Black Majik/Big Llow), who would later achieve international renown in mixed martial arts, was a prominent early Krump dancer affiliated with the Broken Naes crew. His crew included King Cookie (Little Majik), Switch (Twin Majik), and Baby Majik. Adesanya's involvement highlights the diverse backgrounds of early Krumpers and the crossover appeal of the dance. He also contributed to the burgeoning Rotorua scene and participated in the "For The Love Battle".

Joash Fahitua played a critical role in formalizing the competitive aspect of Krump by hosting the first-ever Krump competition in New Zealand after learning the dance in Sydney. His efforts, coupled with numerous victories achieved by his crew, solidified the competitive spirit from the very outset. The Underground Kings, a krump crew that brought together dancers from various Auckland areas such as Mt Roskill, Mangere, Otara, Kelston, and North Shore, became a significant early force, winning the first national competition in 2007. Key members included Janae (Lady Mav), Alistair (Kid Alien), Kevin (J Emo), Lister (Soulja Mav), Darius (Kid Emo), Robert (Big Masta), Romain (Big Source/Young Alien), Dylan (Big Groove/123KIT), and Kura. Their inter-area collaboration demonstrated a burgeoning sense of community that transcended geographical divides within the city.

The Spread Across Aotearoa

The Krump movement rapidly extended beyond Auckland, establishing regional hubs across New Zealand. In Waikato, the Villainz fam practiced "clowning before krump" between 2004 and 2012, indicating a local precursor to Krump and a natural progression of expressive dance forms. Early figures included Big Carnage, Big Phat, and BLVD. Rotorua saw Krump established around 2005/2006 by Jese Tuivoavoa, Israel Adesanya (Black Majik aka Big Willow), Rawiri Nelson, Edward Jones Mikaere, Chevy Mikaere, and Vic Tai. In Wanganui, early groups included T Fam and Unknowns, with the Bully Nerdz crew co-founded by Blak Majik (Big Willow) and George Mahana Packer (King Ruff/Lil Willow) around 2006 [User Query]. Hawkes Bay benefited from the early contributions of Jaesyn Kelly and the "krump steady" movement, showcasing regional variations and pioneers. By 2008, the Bay of Plenty boasted active crews such as R.S.E. Krump Crew, Fosta Fams, Kzone, Wonka Fams, Trident Fams, TKC, and MSF, indicating a thriving regional scene.

The rapid and widespread adoption of Krump across multiple regions in New Zealand within a few years of its introduction (2004-2008) suggests a profound resonance with local youth. This phenomenon was likely amplified by the accessibility of Krump DVDs and the burgeoning influence of early social media platforms, which served as instrumental tools for popularization.⁴ The immediate geographical spread, coupled with the decentralized emergence of communities across various cities, points to a fertile ground for street dance culture in New Zealand. This indicates that Krump filled a cultural void or met a strong demand for expressive dance, particularly among young people, fostering a grassroots, organic spread rather than a top-down imposition, and leading to the development of diverse regional styles.

Documenting Early Events and Battles (2006-2008)

The competitive spirit and public showcases were integral to Krump's early development in New Zealand. Notable early events included the Krump VS B-Boyz Battle held in Manukau City in October 2006, which was documented on Ukarau Kakepare's (CheekyUkie) YouTube channel, highlighting the early inter-style dance exchanges and the crucial role of online platforms in archiving the nascent scene.

Krump categories were also integrated into broader hip-hop and dance events, such as Rock The Top 1.0 (2007), which featured battles like Chris vs Dan, and early Krump presence at Hope Anniversary (2007) and Wellington Groove (2007). StreetRage2 showcased battles like Lil Hammer versus Boii Omen and performances by Big Hammer and Jay Mirakle. Heart of Krump NZ (2008) featured numerous battles, including significant NZ VS AUS rounds, demonstrating early international competitive exposure for New Zealand Krumpers [User Query]. By 2010, the Cap City Sessions in Wellington had become a recognized gathering point for Krumpers, attracting dancers like Big Raw, Omen, and Shock Proof, further solidifying regional hubs for consistent practice and community building.

III. Decade of Growth: Formalization, Expansion, and International Recognition (2011-2019)

The period from 2011 to 2019 marked a significant maturation of the New Zealand Krump scene, characterized by increased organization, structured competition, and a growing international presence. This era saw the community move beyond initial grassroots enthusiasm to establish a robust framework for its art form.

The Rise of Organized Competition and Community Networks

A crucial development during this decade was the establishment of Krump Aotearoa, a central support network for the New Zealand Krump community, with its YouTube channel joining in July 2012. This move towards centralized communication, promotion, and archiving of the community's activities proved vital for its growth. Major annual events, such as the NZ Krump Nationals, became foundational pillars of the scene, featuring extensive sessions and structured battles that drew participants from across the country. The detailed listings of "Lil Homie" (LH) and "Big Homie" (BH) sections in battles at events like Cap City Prelims and NZ Krump Nationals 2012 demonstrate the formalization of the mentorship hierarchy within competitive structures, ensuring a clear pathway for progression from emerging talent to established leaders. Other significant events, including Troubled Grounds (2012, 2013) and Treason (2013, 2015, 2019), and various specialized battles like "Last Man Standing" and "Tag Team", fostered intense competition and pushed the boundaries of the dance form.

This clear shift towards formalization and professionalization, evidenced by the establishment of "Krump Aotearoa" as a support network and the consistent staging of "Nationals" and other structured competitions, indicates a community actively building infrastructure. The detailed listing of "Lil Homie" and "Big Homie" sections in battles further reinforces the structured mentorship within fams, contributing to this formalization. This progression is a natural development for any burgeoning cultural movement seeking longevity and wider impact, as it allows for standardized training, competitive pathways, and broader recognition, transforming informal gatherings into a recognized subculture.

Emergence of Influential Fams and Leaders

The decade also saw the emergence and consolidation of influential Krump families (fams) and leaders. Chris Teava (Boy Ruin/EXCBS) founded the EXCBS Krump Fam, which became a foundational pillar in the competitive scene, influencing many dancers. Notable members included Mrs Example (Nicole Teava), Twin EXCBS (Dans Matters), and Twin Example (Nate). Trenton Omeri (12AF/Baddbeast X/Badass Street Beast/Detective 12) emerged as a central figure, founding 12 Fam with members such as Twin 12 (Matthew Luani), Lil 12 (Onetoto Ikavuka), and Lady 12 (Kimi Young). This fam became highly active in various battles and discussions, demonstrating its central role in the community's development. The Pirates Global crew, established in January 2013, regularly hosted sessions and workshops, contributing to broader community development beyond just competitive events. A significant step towards inclusivity was the establishment of the Watch:MIN crew in 2017, specifically aimed at amplifying women in Krump, indicating a growing focus on diversity and female leadership within the community.

Aotearoa on the Global Stage

New Zealand Krumpers began to achieve significant international recognition during this period, firmly placing the country on the world map for Krump. Ken Vaega (Lightsaber/Jr Street Beast/formerly Jr Example), a prominent figure mentored by the Los Angeles-based Krump legend Baby Tighteyez, achieved a monumental feat by becoming the first New Zealander to win the Krump World Championships on July 22, 2018, in Dusseldorf, Germany.⁸ This achievement was not merely an individual triumph but a significant legitimizing moment for the entire New Zealand Krump scene, proving its global competitiveness and inspiring a new generation.⁸ The community's celebration of this victory underscores its collective aspiration and validates the quality of the local scene. Such a high-profile win naturally elevated the status of Krump within New Zealand, attracting more youth to the dance and drawing increased attention from media and potential funders, thereby transforming external perceptions of the art form.

Further contributing to this international recognition, Ennoalla Paea-Vaega (formerly Ennoalla Paea/Watchmin), Ken Vaega's wife and co-founder of Watchmin World, received the "Grounded - Auckland Team Performance Award" as a choreographer for her Female Krump Crew in 2018. Trenton Omeri (12AF) also actively participated in international battles, including Desert Storm 5 in Phoenix, Arizona, viewing these as crucial opportunities to "earn his stripes and make a statement" on the global circuit.

Community Development

Beyond competitive achievements, the community also focused on nurturing future generations. The Krump Club of Ōtara was established in 2019 as part of the Lighthouse fam, providing a safe and structured space for children to learn Krump. This initiative demonstrated a deep commitment to youth development and providing positive community outlets, reinforcing the social impact of Krump within Aotearoa.

Table 1: Key Krump Events in Aotearoa New Zealand (Chronological)

Year	Event Name	Location	Key Highlights/Significance
2006	Krump VS B-Boyz Battle	Manukau City	Early inter-style dance exchange, documented on YouTube.
2007	Rock The Top 1.0	Auckland	Included a Krump category.
2007	Hope Anniversary	Auckland	Early Krump presence.
2007	Wellington Groove	Wellington	Early Krump presence.
2007	NZ Krump Nationals	Auckland	Won by Underground Kings, first national competition.
2008	StreetRage2	Auckland	Featured battles and showcases.
2008	Heart of Krump NZ	Auckland	Featured numerous battles, including NZ VS AUS rounds.
2010	Cap City Sessions	Wellington	Known gathering point for Krumpers.
2011	Troublegrounds	Auckland	Featured dancers like Asylum and Ricochet.
2011	NZ Krump Nationals	Auckland	Extensive sessions, West AKC caging.
2012	Troubled Grounds	Auckland	Organized competition with Last Man Standing, Tag Team, Call Out battles.
2012	Cap City Prelims	Wellington	Included Lil Homie and Big Homie selections and finals.
2012	AKC Prelims	Auckland	Featured various battles and fam participation.
2012	NZ Krump Nationals	Auckland	Major event with Lil Homie and Big Homie sections.
2012	Swag Fest 2.0	Auckland	Showcased Krump vs Break battles.
2013	Treason	Wellington	Significant multi-day event with Lock In Sessions and international participation (Ruin tha Legion Killa).
2013	For The Love Battle	Christchurch	Charity event for earthquake relief, featured Example Krump Fam vs Black Majik.
2013	Troubled Grounds	Auckland	Hosted Tag Team and Last Man Standing battles.
2013	KN13 (Krump Nationals)	Auckland	Featured Fam Clash, City Clash, Battle of the Champs.
2013	Bonnie & Clyde Battles	Auckland	Showcased tag team battles.
2013	WSB Strictly Buck	Auckland	Featured numerous battles, culminating in Shutdown vs Trajik.
2014	KN14 (Krump Nationals)	Auckland	Included AKC Callout, Judges Showcase, Fam Clash, 72KO tournament.
2015	KNXV (Krump Nationals)	Auckland	Featured Fam Clash and BNC Battles, workshops with Aidan ‘OA’ Karati and Chris ‘EXCB’ Teava.
2015	Cap City Treason	Wellington	Featured rookie and female sections.
2015	King of The Pirates	Auckland	Featured battles like Paniq vs Smilekilla.
2015	Hold Your Style	Auckland	Featured various battles, Jedi vs Chris C in finals.
2015	Clash Nation	Auckland	Showcased Lady Maddawg vs Lady Red vs Mama K.
2015	Out of the Box Dance Event	Auckland	Open platform for cross-genre experimentation, moving away from competition.
2016	EBS 2016 Male Preselection	New Zealand	Featured EXCBS/Aotearoa.
2016	Cap City Treason	Wellington	Included exhibitions, rookie and female finals, judges showcase.
2016	Fix Your Face	Auckland	Included finals, top 4 battles, and special showcases.
2017	BeatDown	Auckland/NZ	Beginning of the "Beatdown Era," featured sessions and battles.
2017	BeatDownSix Nation's 16man KO Tournament	Auckland/NZ	Major KO tournament.
2017	KN17 (Krump Nationals)	Auckland	Included NZ Krump Division, International Division, Fam Clash, 72KO.
2018	KN18 (Krump Nationals)	Auckland	Presented BNC Showcases, Fam Clash, BCT Females/Males, 7.2.Kill Off, 8Bucks.
2019	NZ All Styles Championship	Hamilton	Included Female 72KO and Solo Battles/call outs.
2019	KN19 (Krump Nationals)	Auckland	Included Fam Clash, BNC Division, 1v1 Female/Male Tournaments, 7.2.Kill Off, 8Bucks Qualifiers.
2019	Treason	Wellington	Featured Lightsaber.
2019	Auckland Krump Prelims for "Land of the Kings"	Auckland	Highlighted Lady Hora.
2020	KN20 (Krump Nationals)	Auckland	Featured exhibition battles, guest showcase by Krump Club, Tag Team Battle.
2020	The BEATDOWN 2020 Kidz Edition	Auckland	Hosted Krump Prelims and Open Style Prelims for youth.
2021	KN21 ONLINE	Online	Adaptation to online format due to pandemic, included KY, XP, Hitterz divisions.
2021	Projekt Feel Good	South Auckland	Annual Hip Hop and Street Dance Experience.
2022	THE BEATDOWN	Auckland	Featured finals for Adults, Kidz, and Younginz.
2022	BEATDOWN	Auckland	Included Rookies, Kidz, Heavy Hitters preselections and 7 to Smoke.
2022	Labyrinth NZ	Auckland	Hosted opening session, guest showcase, prelims, and top battles.
2022	BEATDOWN END OF YEAR	Auckland	Featured Kids, Younginz, Rookies, Heavy Hitters tournaments.
2022	KN22 (Krump Nationals)	Auckland	Featured KY, XP, Hitterz Champions.
2023	BEATDOWN Heavy Hitters	Auckland	Featured after sessions, top 16, preselections, top 8, semi-finals, and finals.
2023	BD Youth	Auckland	Included Younginz and Kidz divisions with finals and judges showcase.
2023	Labyrinth NZ Session Night	Auckland	Included opening session and numerous battles.
2023	BEATDOWN CHAMPIONSHIP	Auckland	Grand event with Heavy Hitters, Younginz, Kidz, NZ OS, Rookiez finals.
2023	"Lock It In" Locking Event	Auckland	Focused on locking style, featured soul trains and battles.
2023	BD Rookies	Auckland	Showcased various battles.
2024	BEATDOWN Rookies Qualifier	Auckland	Featured Top 18 battles, Judges Showcase, Top 6, and Finals.
2024	Beatdown Youth Qualifiers	Auckland	Included Kidz and Younginz divisions with finals and judges showcase.
2024	Lock It In Locking Competition	Auckland	Featured Cypher, Judges Showcase, Soul Train, and battles.
2024	LABYRINTH Ladies Krump Event | Krumpfest	Auckland	Amplifying women in Krump, showcasing sessions, tournament battles, exhibitions.
2024	BEATDOWN HH & NZ OS Qualifier | Krumpfest	Auckland	Featured Heavy Hitters and NZ Open Styles divisions.
2024	Rhythm & Buck | Krumpfest	Auckland	Featured numerous battles.
2024	KOB NZ Qualifier	Auckland	Showcased Mens, Kids, Womens, and Teams Finals.
2024	SET IT OFF Vol 1	Auckland	Hip-hop x House Dance Event.
2024	BEATDOWN CHAMPIONSHIPS	Auckland	Major championship event with judges showcases and ANZAC CUP.
2024	"World of Watch:MIN"	Māngere Arts Centre	Theatre show featuring all-wāhine cast, emphasizing mana wahine.

IV. The Modern Era: Online Adaptations, Diverse Showcases, and New Horizons (2020-2024)

The early 2020s witnessed Krump in Aotearoa continue its dynamic evolution, marked by significant adaptations to global changes, a diversification of artistic expressions, and a solidification of its international standing.

Adapting to Change and New Platforms

The onset of the COVID-19 pandemic necessitated significant adaptations, pushing the Krump community to embrace online formats. A prime example was KN21 ONLINE, which featured Kids/Youngins (KY), Experienced (XP), and Hitterz divisions, ensuring the continuity of competition and community engagement despite physical restrictions. This demonstrated the community's remarkable resilience and adaptability in the face of unprecedented challenges.

Further organizational evolution was seen in the emergence of the LH Combine, a collective founded by Ken Vaega and Ennoalla Paea-Vaega. This initiative merged their respective Lighthouse and Watchmin World fams, aiming to provide broader opportunities for creatives through consolidated efforts. This strategic approach to community organization and talent development reflects a mature understanding of resource optimization and collective impact. The community's proactive engagement with modern social media for outreach, education, and archiving is exemplified by AŌTA_REESO (Slayz), who actively documents "Krump Dancing and Jams in New Zealand" via TikTok, reaching new and wider audiences.

The modern era showcases Krump's adaptability, its expansion into theatrical productions, and a continued surge in international competitive success. This indicates a dynamic and outward-looking community that is not only preserving its roots but actively innovating and asserting its presence on the global stage, leveraging new platforms like TikTok for documentation and outreach. The shift to "ONLINE" events demonstrates adaptability in the face of external challenges, ensuring the continuity of the art form.

Continued Growth and Diverse Showcases

The New Zealand Krump scene continued to thrive with a consistent schedule of major events. THE BEATDOWN series (May 2022, August 2022, End of Year 2022, 2023, 2024), Labyrinth NZ (2022, 2023, 2024), Lock It In Locking Event (2023, 2024), and KOB NZ Qualifier (2024) maintained a strong and diverse competitive circuit. These events frequently included multiple divisions—Kids, Younginz, Rookiez, Heavy Hitters, and NZ Open Styles—catering to various skill levels and fostering broad participation across all age groups.

New generations of members emerged within established fams like BLVD and EXCBS [User Query], ensuring the continuity of the Krump lineage and the constant infusion of fresh talent. A significant artistic milestone was the "World of Watch:MIN" theatre show, held in January 2024 at Māngere Arts Centre. Directed and choreographed by Ennaolla Paea-Vaega, this production featured an all-wāhine (female) cast telling authentic stories through Krump, explicitly emphasizing mana wahine (the spirit of women). This marked Krump's expansion into theatrical and culturally specific performance, showcasing its role in empowering women within the arts. Additionally, events like Projekt Feel Good (2021) and SET IT OFF Vol 1 (2024) represent broader hip-hop and street dance events that often feature or provide platforms for Krumpers, indicating Krump's growing integration into the wider street dance ecosystem.

Nurturing the Next Generation and Global Impact

A consistent focus on "Kidz," "Rookiez," and "Younginz" divisions in events like THE BEATDOWN and Krump Nationals underscores a robust pipeline for talent development and knowledge transfer across generations. This emphasis is a hallmark of the "fam" structure and a key factor in Krump's sustained growth.

Young talents from New Zealand continued to make significant international strides, demonstrating the high caliber of local Krump training. Rian Gounder (Prince Lightsaber) and Raul Gounder (Yg Lightsaber), a dynamic Hip Hop duo, achieved third place in the Junior Duo category at the Hip Hop Unite World Championships in Portugal in 2024. Rian further secured the gold medal in the 2024 Youth Battle World Championship and a silver medal in the under-15 category at the K.O.B. (King of Buck) dance competition in Japan, marking the first time a New Zealand competitor placed in this prestigious category.¹⁰ The fact that their father coaches them highlights the crucial role of family-centric support in their development. Stacy Meng (Baby XIII), a core member of XIII WRLD, won the Youth Division - All Styles at Step Ya Game Up 2023 in New York City, demonstrating exceptional versatility across Popping, Locking, Waacking, and Krumping. Trenton Omeri (12AF) continued to engage on the international battle circuit, including Desert Storm 5 in Phoenix, Arizona, and exhibition battles in Japan and South Korea, emphasizing the importance of international exchange and learning for personal and community growth.

Beyond competitive success, Krump has also been recognized for its profound personal and societal impact. Joseph McClutchie (formerly Omen), an expressive street artist and educator, offers "Enter Universe 12" classes focused on Krump fundamentals, advocating for creative movement and mental well-being. His personal journey, including overcoming bullying and a severe hip injury, highlights Krump as a spiritual and healing art form, drawing parallels to haka. This underscores the profound personal transformation and resilience fostered by the dance. Furthermore, Caitlyn Dulcie (Jr Phirus), Miss Earth New Zealand 2023, performed lyrical Krump and won Gold in Best Talent at Miss Earth 2023, showcasing Krump's versatility and its reach into broader cultural and public platforms.

V. Silo Sessions Auckland: A New Epicenter for Krump (2025 and beyond)

The Krump scene in Auckland continues its dynamic evolution with the establishment of new dedicated spaces for practice and community gathering. Silo Sessions was created in 2025 by Darren Reyes (Pax) and Kriesler Cullen (Flyhigh) as a new, specific Auckland Krump session spot. Yrjo Galvez (Severe) is also noted as a co-organiser. This initiative signifies a deliberate and recent effort by key figures in the New Zealand Krump scene to provide a consistent and dedicated physical space for Krump practice and community building in Auckland.

While Silo Park, the general location for these sessions, is a well-known vibrant waterfront hub in Auckland that regularly hosts a diverse range of public events, including cinema screenings, night markets, music festivals, and cultural activities ¹¹, the specific history of Krump-focused "Silo Sessions" prior to its 2025 establishment as a dedicated Krump spot is not extensively detailed in the available research. The "Silo Sessions" referenced in earlier records primarily pertain to general music or cultural events, not specifically Krump.¹⁵ The Instagram account linked in the query is a general Krump page, not exclusive to a specific "Silo Sessions Auckland Krump" event.²¹

Therefore, the creation of Silo Sessions in 2025 as a new, dedicated Krump session spot represents a significant development. This move reflects the community's proactive approach to establishing and maintaining specific training grounds, fostering consistent practice and development, and providing a stable home for Krump in Auckland. Its emergence highlights a growing need for specialized venues as the Krump community matures and seeks to consolidate its presence within the broader urban landscape.

VI. The Enduring Pillars: Key Figures, Fams, and Collectives

The New Zealand Krump scene is sustained by a dedicated network of individuals and "fams," emphasizing mentorship, community, and the intergenerational transfer of knowledge. The consistent focus on "Kidz," "Rookiez," and "Younginz" divisions ensures continuous growth and a vibrant future for the art form.

Prominent Individuals

• Ken Vaega (Lightsaber/Jr Street Beast/formerly Jr Example): A pivotal figure, Ken Vaega is the 2018 World Krump Champion, founder of the Lighthouse fam, and co-founder of LH Combine. He runs the Krump Club of Ōtara, dedicated to youth development, and was mentored by the esteemed Baby Tighteyez.⁸

• Ennoalla Paea-Vaega (formerly Ennaolla Paea/Watchmin/Phirus/Girl Street Beast/Watchlight): Ken Vaega's wife, co-founder of LH Combine, and founder of Watchmin World (Watchmin Fam). She leads Lighthouse Famz and directed the "World of Watch:MIN" theatre show, empowering women in Krump.

• Trenton Omeri (12AF/Baddbeast X/Badaas Street Beast/Detective 12): An expressive street artist, educator, and advocate for mental well-being, Trenton is a central figure in battles and discussions across eras.

• Chris Teava (EXCBS): Founder of the EXCBS Krump fam and Krump Aotearoa, Chris is a significant competitor and organizer of major Krump events in New Zealand.

• Byrin Mita (XIII/former Jr Mutiny): Founder of the XIII WRLD collective and XIII Fam, which nurtures young talent in various street dance styles, including Krump, hip-hop, popping, and locking. He notes similarities between Krump and Haka.²²

• Aidan Karati (Omen/Twin Legion Killa): A consistent leader from Cap City, Wellington, active in Krump battles and sessions

• Darren Reyes (Pax/Jr Lightsaber): Founder and co-organiser of Silo Sessions in Auckland.

• Kriesler Cullen (Flyhigh/Twin Lightsaber): Co-founder of Silo Sessions in Auckland.

• Yrjo Galvez (Severe/Rough Biggie/Boy Omen): Co-organiser of Silo Sessions in Auckland.

• Stacy Meng (Baby XIII/8face): A versatile young prodigy in Popping, Locking, Waacking, and Krumping, and a member of XIII WRLD. She won the Youth Division - All Styles at Step Ya Game Up 2023 in New York City [User Query].

• Samuel Han (Kid XIII): A promising young talent and core member of XIII WRLD.

• Raul Gounder (Yg Lightsaber) and Rian Gounder (Prince Lightsaber): Internationally acclaimed Hip Hop duo, affiliated with Projekt Team and Prototype crew. Rian is a Youth Battle World Champion and K.O.B. silver medalist.¹⁰

• Israel Adesanya (Black Majik): Known for MMA, he was also a prominent early New Zealand Krump dancer.

• John Vaifale (Happy Feet): One of New Zealand's leading freestyle hip-hop dancers, holding various titles, including a Krump Dance Championship at Australia's World Supremacy Battlegrounds. He is a member of Projekt Team, Hyperush Empire, and HLGNZ

• Big Yak: Pioneer of the Christchurch Krump movement, known for original style and dominant bravado, with 14 years of battling, teaching, and working locally, nationally, and internationally.

• Lance Ureta (Blvd): A leader and Krump dancer in Waikato, recognized for using Krump as a release and expression.

Key Fams and Collectives

• EXCBS Krump Fam: Founded by Chris Teava, this fam is a foundational pillar in the competitive scene.

• Lighthouse Fam (later LH Combine): Established by Ken Vaega, it merged with Watchmin World to form LH Combine. It is responsible for the Krump Club of Ōtara, supporting youth development and connecting New Zealand dancers globally. Members include Twin Lightsaber (Kriesler Cullen/Flyhigh), JR Lightsaber (Darren Reyes/Pax/former Kid Drill), Queen Lightsaber, Boy Lightsaber (Zepheniah Setu), Girl Lightsaber, YG Lightsaber (Raul Gounder), Prince Lightsaber (Rian Gounder), Prince Syte (Brooklyn), Girl Syte, Ip Saber (Lewis Talo), Ill Saber (William Boquiron), and Nela Tuihaangana.

• Watchmin World (Watchmin Fam): Founded by Ennoalla Paea-Vaega, this collective focuses on empowering women in Krump. Members include Twin Watchmin (Seidah Tuioai), Gully Watchmin (Shanice Talo), JR Phirus (Caitlyn Dulcie/Miss Earth New Zealand 2023), Baby Watchmin (Talyna Tuihaangana), Watchmin Wing (Kat Walker/Katto Lock), and Kid Watchmin (Cassidy Makiha Kang), Yg Watchmin.

• XIII Fam / XIII WRLD collective: A high-performance street dance team and developmental program founded by Byrin Mita, dedicated to nurturing young talent. It includes a hierarchy of members such as JR XIII (Clear), Lil XIII (Rain), YG XIII, Boy XIII (Joe Taylor), Girl XIII (Peyton), Kid XIII (Samuel Han), Child XIII (Matthew), Monsta XIII (Arthur Meng/Explosion), and Baby XIII (Stacey Meng/8face).

• Hyperush Empire: A prominent Krump fam led by Alexander "Aktive" Teratuia.

• Krump Aotearoa: The central support network for the New Zealand Krump community, responsible for organizing significant events and fostering the overall growth of the scene.

Table 2: Prominent Krump Fams and Their Leaders/Key Members

Fam/Collective	Founder/Leader(s)	Key Members (Examples)	Focus/Significance
EXCBS Krump Fam	Chris Teava (Boy Ruin/EXCBS)	Mrs Example (Nicole Teava), Twin EXCBS (Dans Matters), Twin Example (Nate), Twin Strongside (Vlad/Trip), Jr Strongside (Sean), Former Jr Crossbearer (Jordan/Drill), Former Jr (Montell/Yg Street beast), Former Jr Example (Ken Vaega/Lightsaber), Former J-dash Strongside (William Rakena/ now Don Bvck), Former L-dash Strongside (now Endshot), Yg Strongside (Ed), Boy Strongside (Moses Martinez), Former Kid Strongside (Mita), Former Ghost Strongside (John Bernardo/JB/ now Prevail), Former Strongside X (Zhan Teiho/ now Twin Don Bvck/Taiqion), Former Example X (now Queen Endshot)	Foundational pillar in competitive scene; strong lineage and new generation members.
Lighthouse Fam / LH Combine	Ken Vaega (Lightsaber/Jr Street Beast), Ennoalla Paea-Vaega (Watchmin World)	Twin Lightsaber (Kriesler Cullen/Flyhigh), JR Lightsaber (Darren Reyes/Pax/former Kid Drill), Queen Lightsaber, Boy Lightsaber (Zepheniah Setu), Girl Lightsaber, YG Lightsaber (Raul Gounder), Prince Lightsaber (Rian Gounder), Prince Syte (Brooklyn), Girl Syte, Ip Saber (Lewis Talo), Ill Saber (William Boquiron), Nela Tuihaangana	Youth development (Krump Club of Ōtara), global connections, merged with Watchmin World.
Watchmin World (Watchmin Fam)	Ennoalla Paea-Vaega	Twin Watchmin (Seidah Tuioai), Gully Watchmin (Shanice Talo), JR Phirus (Caitlyn Dulcie/Miss Earth New Zealand 2023), Baby Watchmin (Talyna Tuihaangana), Watchmin Wing (Kat Walker/Katto Lock), Kid Watchmin (Cassidy Makiha Kang), Yg Watchmin	Focus on empowering women in Krump, theatrical showcases.
XIII Fam / XIII WRLD collective	Byrin Mita (XIII/former Jr Mutiny)	JR XIII (Clear), Lil XIII (Rain), YG XIII, Boy XIII (Joe Taylor), Girl XIII (Peyton), Kid XIII (Samuel Han), Child XIII (Matthew), Monsta XIII (Arthur Meng/Explosion), Baby XIII (Stacey Meng/8face)	Nurturing young talent across street dance styles, Māori representation.
12 Fam	Trenton Omeri (12AF/Baddbeast X/Badass Street Beast/Detective 12)	Twin 12 (Matthew Luani), Lil 12 (Onetoto Ikavuka), Lady 12 (Kimi Young), Yg 12, Sista 12 (Sanita Betham), West Dzxn, Baby Girl 12 (Rani Gounder), Free 12 (Joshua Faletutulu)	Central figure in battles and discussions, strong community presence.
Hyperush Empire	Alexander "Aktive" Teratuia		Prominent competitive Krump fam.
Krump Aotearoa	Chris Teava (Founder)		Central support network, organizes major events.
Underground Kings		Janae (Lady Mav), Alistair (Kid Alien), Kevin (J Emo), Lister (Soulja Mav), Darius (Kid Emo), Robert (Big Masta), Romain (Big Source/Young Alien), Dylan (Big Groove/123KIT), Kura	Early influential crew, won first nationals in 2007.
The Pirates Global		Shutdown, Jr Maddawg, Gizmo, YungMaddreech, Nephilim, XShutdown, Infant Shutdown, Blackout	Established 2013, regularly hosted sessions and workshops.
Villainz fam		Big Carnage (Big Rep Jr Carnage), Big Phat (Jr Rep Jr Phat), BLVD	Waikato-based, practiced "clowning before krump" (2004-2012).
Bully Nerdz	Blak Majik (Big Willow), George Mahana Packer (King Ruff/Lil Willow)		Wanganui-based, co-founded circa 2006.

Table 3: International Achievements of NZ Krumpers

Year	Dancer(s)	Achievement	Event/Competition	Location	Significance
2018	Ken Vaega (Lightsaber)	World Champion	Krump World Championships (EBS)	Dusseldorf, Germany	First New Zealander to win the Krump World Championships, a monumental legitimizing moment for NZ Krump.8
2018	Ennoalla Paea-Vaega	"Grounded - Auckland Team Performance Award" (as choreographer)		Auckland	Recognition for female Krump crew's performance.
2023	Stacy Meng (Baby XIII)	Youth Division - All Styles Champion	Step Ya Game Up	New York City, USA	Demonstrated versatility across Popping, Locking, Waacking, and Krumping [User Query].
2024	Rian Gounder (Prince Lightsaber) & Raul Gounder (Yg Lightsaber)	3rd Place, Junior Duo category	Hip Hop Unite World Championships	Portugal	Recognition of NZ youth talent in international hip hop.
2024	Rian Gounder (Prince Lightsaber)	Gold Medal, Youth Battle World Championship	Youth Battle World Championship	Global	Top youth achievement in Krump battle.
2024	Rian Gounder (Prince Lightsaber)	Silver Medal, U15 category	K.O.B. (King of Buck) dance competition	Japan	First time a NZ competitor placed in this prestigious youth category.10
Various	Trenton Omeri (12AF)	Participation in high-level battles	Desert Storm 5, exhibition battles	Phoenix, Arizona, USA; Japan, South Korea	Continuous engagement on the international circuit, earning global respect [User Query].
Various	John Vaifale (Happy Feet)	Krump Dance Championship title	World Supremacy Battlegrounds	Australia	One of NZ's leading freestyle hip-hop dancers with Krump accolades.

VII. Cultural Resonance and Societal Impact

Krump in Aotearoa New Zealand has evolved beyond a mere dance style to become a profound vehicle for self-expression, cultural connection, and community building, particularly for Māori and Pasifika youth.

Māori and Pasifika Connection

The inherent expressiveness and raw power of Krump have found deep resonance within Māori and Pasifika cultures. Dancers and cultural observers frequently note similarities between Krump and the traditional Māori haka, particularly in elements such as stomping, powerful movements, and the emphasis on storytelling and wairua (spirit).²² Byrin Mita, founder of XIII WRLD, articulates this connection, stating that while Krump does not use vocals, "the storytelling is very much within the movement," and that commonalities like stomping and powerful execution create a strong link to haka.²² 

The historical context of hip-hop in New Zealand, being predominantly embraced by Māori and Pasifika communities since the 1980s, provided a natural pathway for Krump's integration.⁶ This existing cultural affinity meant that Krump was not perceived as an entirely foreign import but rather a complementary form of expression that could be adapted and infused with local identity. The Pasifika Festival in Auckland, the largest festival of its type globally, serves as a testament to the vibrant celebration of Pasifika New Zealanders and their pan-cultural identity, offering a broader context for the thriving of street dance forms like Krump within these communities.²⁴

Furthermore, academic research, such as the Master of Design thesis "Beauty in the Ugly: An Insiders Look at Krump in Aotearoa," highlights Krump as a "tool of resilience" for Pasifika Krumpers in Aotearoa, providing a safe space to channel energy and effect positive change in their lives.²⁵ This academic perspective validates the profound personal and social benefits derived from the dance. The "World of Watch:MIN" theatre show, directed by Ennoalla Paea-Vaega with an all-wāhine cast, further exemplifies Krump's role in empowering women and telling authentic stories through the lens of mana wahine. This demonstrates the art form's capacity to transcend traditional battle formats and engage with deeper cultural narratives.

Community Building and Mentorship

The "fam" structure, central to Krump culture, has fostered a robust mentorship system in New Zealand, characterized by "lil homies" and "big homies".⁸ This hierarchical yet supportive framework ensures the transfer of skills, values, and community ethos across generations. Krump, originating as an alternative to gang life in Los Angeles, has similarly provided a positive and structured outlet for youth in New Zealand.¹ Individuals like William Rakena (Don Bvck) credit Krump with helping them overcome troubled youth, while Joseph McClutchie's journey highlights its role in mental well-being and finding expression beyond adversity. This demonstrates the dance's capacity to empower individuals and contribute to positive social outcomes by offering a constructive channel for intense emotions and energy.

VIII. Challenges and Evolution

The journey of Krump in Aotearoa has not been without its challenges, navigating initial misconceptions, internal dynamics, and the ongoing tension between its street origins and increasing mainstream visibility.

Early Perceptions and Misconceptions

Upon its arrival, Krump, with its aggressive and intense movements, was sometimes perceived as "ugly" or "violent".²⁵ This misinterpretation led to incidents such as Onehunga High students being unable to rehearse unsupervised due to the "apparently aggressive style" of their dancing.³⁰ Such reactions reflect a broader societal tendency to misunderstand new, energetic street dance forms, often associating them with negative behaviors rather than recognizing their artistic and expressive qualities. This perception also aligns with historical narratives in New Zealand that sometimes struggled to accept "imported" ideas or cultural expressions that challenged traditional "Kiwi bloke" stereotypes of masculinity, which often emphasized a more reserved, rural, and physically practical demeanor over overt emotional expression.³¹ The challenge lay in shifting these ingrained societal views to recognize Krump's positive and transformative potential.

Internal Dynamics

Within the Krump community itself, dynamics can present their own challenges. Tensions can arise between dancers who maintain a "raw" or untamed style and those who gain exposure in mainstream audiences, leading to questions of legitimacy and authenticity.³³ The concept of "biters"—dancers who mimic others' moves and styles—is also a recognized challenge within battle culture, underscoring the importance of originality and individual expression in Krump.¹

Adaptation and Authenticity

As Krump has evolved, it has moved from being almost entirely freestyle to incorporating more choreographed elements in performances.⁵ This evolution raises questions about the balance between preserving its raw, improvisational street origins and adapting for stage or broader audiences. While some may question if newfound legitimacy threatens authenticity, many within the community, like Mamu Tshi, assert that Krump remains fundamentally a street dance that does not require a stage to exist.³⁵ This ongoing dialogue highlights the dynamic nature of the art form as it seeks to grow and gain wider acceptance without compromising its core identity.

Despite these challenges, Krump has demonstrated remarkable resilience. Its capacity to act as an outlet for intense emotions, transforming oppression into a collective rising, and fostering a sense of communion where pain and suffering are shared, underscores its inherent strength as a tool for resilience and positive change for its practitioners.²⁵

IX. Funding and Sustainability

The sustainability and growth of the Krump community in New Zealand rely significantly on its ability to secure diverse funding and maintain robust organizational structures, often operating within the non-profit sector.

Non-Profit Status and Organizational Structures

Many key entities within the New Zealand Krump scene operate as non-profit organizations or are supported by them. Krump Aotearoa functions as a central support network for the community [User Query]. The Lighthouse Fam, through initiatives like the Krump Club of Ōtara, provides safe spaces and development programs for youth [User Query]. Similarly, the XIII WRLD collective, founded by Byrin Mita, operates as a dance program fostering young talent across various street dance styles [User Query]. These organizations often adhere to specific governance and financial reporting requirements to be eligible for grants.³⁶

Funding Sources

Funding for street dance, including Krump, in New Zealand typically comes from a mix of local government, national arts bodies, community trusts, and private donations:

• Creative New Zealand (CNZ): CNZ provides funding through its Creative Communities Scheme (CCS), which supports local arts projects across city and district councils. This scheme explicitly funds hip-hop groups, dance workshops, and projects that engage young people and support diverse arts and cultural traditions, including Māori and Pasifika art forms.³⁷ Grants are typically under $5,000 and require projects to benefit local communities and be completed within 12 months.³⁷

• Auckland Council: The Auckland Council's Regional Arts and Culture grants program supports organizations and artists delivering arts and culture projects across the Auckland region. This includes funding for dance companies, projects exploring urban Māori and Pacific perspectives through dance, and initiatives like the "Labyrinth & Beatdown Dance Project".⁴¹ These grants range from $3,000 to $25,000 for audience development and programming.⁴⁵

• Community Trusts: An expansive network of community trusts across New Zealand provides crucial funding. Examples include Community Trust South, which offers "Compete" grants for premier and elite art groups to cover costs of national and international competitions ⁴⁷, and "Create" grants for emerging artists to develop skills and promote their work.⁴⁸ The Peacocke Dance Trust specifically awards funds to New Zealand dancers and choreographers of any genre for projects, tertiary study, or joining professional groups overseas.⁴⁹ The Cookie Time Charitable Trust's OSM Young Talent Grants support young New Zealanders (under 25) performing at national or international levels, providing financial grants for training and competition.⁵⁰ The Rainbow New Zealand Charitable Trust also offers community grants for LGBTTQIA+ projects, including cultural events.⁵¹ These trusts often prioritize local impact and youth development.

• Crown Funding: Government agencies, such as the Department of Internal Affairs (DIA) through its Community Operations group, administer various lottery and Crown grant funding schemes like the Community Organisation Grants Scheme (COGS).⁵² COGS supports voluntary and not-for-profit organizations delivering community-based social services and projects that encourage community participation and promote social, economic, and cultural equity.⁵⁴ Gaming machine societies also provide funding to not-for-profit community organizations.⁵³

• Crowdfunding and Donations: Individual dancers and groups often rely on crowdfunding platforms like Givealittle to cover expenses for international competitions or workshops, as seen with Ken Vaega's fundraising efforts for his World Championship travel.⁹ Direct donations are also highly valued for sustaining organizations.⁵⁶

Challenges in Funding

Despite the diverse funding landscape, organizations within the New Zealand arts and community sectors, including Krump, face significant challenges. Many funding relationships are year-to-year, making them vulnerable to changes in budget, strategy, or political priorities.⁵⁶ There is intense competition for grants, and rising operational costs are often not matched by available funding.⁵⁶ Securing unrestricted or outcomes-based funding, which allows greater flexibility, remains a challenge compared to more tightly controlled, project-specific grants.⁵⁶ These financial realities necessitate continuous fundraising efforts and strategic planning to ensure the long-term sustainability of Krump initiatives.

Table 4: Funding Sources for Arts & Dance in NZ (Relevant to Krump)

Funding Source Category	Specific Examples/Programs	Typical Grant Range/Focus	Eligibility/Criteria (General)
National Arts Agencies	Creative New Zealand (CNZ) - Creative Communities Scheme (CCS)	Mostly under $5,000 per project. Supports local arts, hip-hop, dance workshops, youth engagement, Māori/Pasifika arts.	Individuals (NZ citizens/PR) or groups. Projects must benefit local communities, be arts-focused, and completed within 12 months.
Local Government	Auckland Council - Regional Arts and Culture Grants	$3,000 – $25,000 for audience development/programming. Supports dance companies, urban Māori/Pacific arts, specific dance projects.	Organizations, communities, and artists delivering arts/culture projects across Auckland. Aligns with regional arts strategy.
Community Trusts	Community Trust South - "Compete" Fund	Up to $6,000 (15-20% of costs) for premier teams/groups. Supports travel, accommodation, entry fees for national/international competitions.	Non-profit organizations (legal entities) operating in specific regions.
	Community Trust South - "Create" Fund	Up to $1,500 for skill development (mentorships, workshops). Up to $3,000 for promotion/production.	Emerging/early career artists (15+ years, NZ citizens/PR, regional residency).
	Peacocke Dance Trust	Varies based on project. Supports individual dancers/choreographers for specific projects, tertiary study, or professional groups overseas.	NZ born/naturalized citizens/residents with outstanding dance talent.
	Cookie Time Charitable Trust - OSM Young Talent Grants	$250 - $500 financial grant. Supports young New Zealanders (under 25) performing at national/international level.	Individuals or youth teams/organizations on a mission to the top.
	Rainbow New Zealand Charitable Trust	Community Grants (various amounts). Supports LGBTTQIA+ projects, including cultural events.	LGBTTQIA+ communities of Aotearoa New Zealand.
Crown Funding (Government)	Department of Internal Affairs (DIA) - Community Organisation Grants Scheme (COGS)	One-off contributions for community-based social services, projects, and events.	Non-profit organizations with less than $2M annual operating expenditure. Must contribute to community participation, leadership, equity.
	Gaming Machine Societies (via DIA)	Varies. Funds not-for-profit community organizations.	Charities applying for funding from licensed gaming machine societies.
Crowdfunding/Donations	Givealittle, Boosted	Varies based on campaign goals.	Individuals or organizations seeking public support for specific projects (e.g., competition travel).

X. Conclusion: The Future Trajectory of Krump in Aotearoa

The history of Krump in Aotearoa New Zealand is a compelling narrative of cultural adaptation, community resilience, and artistic innovation. From its initial emergence in the mid-2000s, profoundly influenced by the documentary Rize and the pioneering efforts of individuals returning from overseas, Krump swiftly resonated with New Zealand youth, particularly within Māori and Pasifika communities. This rapid and widespread adoption across various regions underscored a deep-seated need for expressive movement and a receptive cultural landscape already attuned to hip-hop aesthetics.

Over nearly two decades, the New Zealand Krump scene has matured significantly, transitioning from informal gatherings to a formalized ecosystem of structured competitions, influential "fams," and dedicated support networks like Krump Aotearoa. This organizational development has provided clear pathways for talent progression, fostering a robust mentorship system that ensures the intergenerational transfer of knowledge and skills. The consistent focus on nurturing "Kidz," "Rookiez," and "Younginz" divisions is a testament to the community's commitment to its future.

New Zealand Krumpers have not only excelled domestically but have also achieved remarkable international recognition, with world championship titles and podium finishes on global stages. These achievements have elevated the profile of New Zealand Krump, validating the quality of local training and inspiring new participants. The community's adaptability, demonstrated through its pivot to online formats during the pandemic and its expansion into theatrical productions like "World of Watch:MIN," highlights its dynamic nature and artistic ambition.

The deep cultural resonance of Krump with Māori and Pasifika identities, particularly its parallels with haka in terms of power, storytelling, and spiritual expression, has cemented its unique place within Aotearoa's diverse cultural fabric. Krump serves as a powerful tool for self-expression, a vehicle for channeling emotions constructively, and a force for positive social change, offering a sense of belonging and resilience for many young people.

Looking forward, the establishment of dedicated physical spaces, such as the new Silo Sessions in Auckland, signifies a crucial step in further consolidating the Krump community's presence and providing consistent training grounds. While challenges remain, particularly in securing sustainable and unrestricted funding, the passion, dedication, and innovative spirit of New Zealand's Krump practitioners and leaders suggest a vibrant and influential future for this art form in Aotearoa. Krump is not merely a dance in New Zealand; it is an integral and evolving cultural phenomenon that continues to empower, inspire, and connect its participants to their heritage and to the world.